‘The Sun is Also a Star’ Author Nicola Yoon on Colorism and Telling Black Stories

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Shadow and Act interviews Jamaican-American writer Nicola Yoon, author of Everything Everything and The Sun Is Also a Star. Now, The Sun Is Also a Star has been adapted for the big screen (with a screenplay adaptation by Tracy Oliver).

Following the success of her first novel, Everything Everything—a heartwarming story about an isolated 18-year-old Black girl, Madeleine, who yearns for a normal teenage life while suffering from SCID (Severe combined immunodeficiency) and falls in love with the boy next door—Nicola Yoon, the Jamaican-American author, continues her run with The Sun Is Also a Star. The screenplay adaptation, written by Tracy Oliver, stars Yara Shahidi and traces the modern-day love story of Natasha, a teenage Jamaican immigrant who spends her final hours in America falling for a Korean American stranger before her family’s scheduled deportation.

Over the last 20 years, Black teen stories have been increasingly magnified in film and literature. Brilliant young adult fiction centering on Blackness, such as MoonlightThe Hate U GiveChildren of Blood and BonePush and The Secret Life of Bees, has shown the humanity and nuance of the Black experience. What is it about this particular genre that delivers such extraordinary messages and representation?

yoonFor New York Times bestselling and award-winning scribe, one of the resounding voices in the young adult fiction genre, telling Black teen stories is of paramount importance because the youth “ask really big questions.”

“They’re naturally philosophical and asking about the meaning of life,” Yoon says. “Is there a God? What’s my place in the world? And I think everyone should be asking the big questions all the time, not just the kids but grown-ups, too.”

Shadow And Act spoke with Yoon about the importance of centering Black girls in her work, the film’s casting and what she hopes viewers will take away from the film.

[. . .] S&A: How important is it to have Black girls and multiracial dynamics at the center of your works?

NY: It’s a reflection of what my life is, and it’s also a reflection of the world. When I was a kid growing up, Black girls were not the leads of love stories. I didn’t see myself in books or in the media very often. I get emails on almost a weekly basis from Brown girls and Black girls who say that my books are the first time they saw themselves in leads, the girl that gets the boy. And while it makes me very happy that they say that, I am very aware that it’s 2019 and we shouldn’t be saying that still. So it’s really important to me. Everyone should be able to see themselves as the hero of a story, and we should be able to enjoy the full range of our humanity. It’s super important to me. The characters look the way they do on purpose.

S&A: Around the time of her casting, there was a conversation going on about colorism in Hollywood, and there were questions about her on-screen family being dark-skinned and her, Natasha, being of a lighter complexion. What are your thoughts on that?

NY: I have a lot of thoughts on that. So the first is that Yara’s fantastic. She’s a brilliant actress. She’s such an activist, and I think she’s perfect for playing this role. And my second thought is that colorism is a real problem. And I think it’s possible to hold both of these things in your mind at the same time. The third thing is that Black people are just as diverse looking as anyone else so it would be good for everyone to keep that in mind. [. . .]

For full interview, see https://shadowandact.com/the-sun-is-also-a-star-author-nicola-yoon-on-colorism-and-telling-black-stories

One thought on “‘The Sun is Also a Star’ Author Nicola Yoon on Colorism and Telling Black Stories

  1. Reblogged this on It Is What It Is and commented:
    A movie on my ‘to watch list’ … Shadow and Act interviews Jamaican-American writer Nicola Yoon, author of Everything Everything and The Sun Is Also a Star. Now, The Sun Is Also a Star has been adapted for the big screen (with a screenplay adaptation by Tracy Oliver).

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