In The Conversation, Charlotte Hammond (Leverhulme Early Career Fellow, Modern Languages, Cardiff University) provides commentary and historical background on the cross-dressing representation of marriage in French Caribbean carnival, le mariage burlesque. [First seen in Contemporary Art in Caribbean.]
Anyone in the French Caribbean islands of Martinique or Guadeloupe during the carnival festivities will witness a unique and wonderfully subversive tradition: le mariage burlesque.
As a legacy of the refusal to assimilate into a French model of marriage and family, le mariage burlesque parodies the idealised fiction of a heterosexual nuclear family unit. Each year on lundi gras (the first Monday of the carnival) men and women perform each other’s conjugal role by cross-dressing as their gendered other. So the man masquerades as the (often pregnant) wife and – to a lesser extent – the woman dresses and performs as the husband. The happy couple is followed by a wedding procession and are “married” by a registrar and a priest along the carnival route.
The late Martinican theorist Édouard Glissant described the tradition as a critique of the family structure imposed by the colonising French republic. He wrote:
There is an occasion in Martinique in which men and women both agree to give a performance of their relationship. This is the tradition of the burlesque marriage during carnival, a critique of family structure.
In recent years there have been debates on the traditional role of family in France. A universalist notion prevails – the model of family promoted by the French Republic is made up of a heterosexual couple who live together, whether married or not, with children born of (or adopted by) the two parents.
Controversy around alternative forms of conjugal union, including legislation to enable same-sex marriage, gay adoption and surrogacy, have prompted fierce debates on the continued relevance of this traditional model. And, given that recent changes in legislation apply to France’s overseas territories, these debates have questioned the continued relevance of the French values of marriage and family in Guadeloupe and Martinique.
Family after slavery
French colonial discourse related marriage to “civilisation”. According to this racist logic, the African – who was considered subordinate – was unsuited to marriage. In the French Caribbean, unions between enslaved men and women of the same plantation were encouraged as they would produce another generation of slaves for the profit of the owner. Marriage between slaves (with the permission of their master) became legal from 1664 – but, in reality, the plantation system constrained the development of strong family units which would often be broken up when slaves were sold on to other plantations. This tended to disrupt the pure parent-child line of descendance or “filiation” promoted by the French state.
Following the abolition of slavery in 1848, French policies of assimilation (into la grande famille nationale) reinforced a desire for official marriage among its “daughters”, or les filles, as Guadeloupe and Martinique were disparagingly known. The extended family, in which grandparents, aunts, nannies and godparents are as likely to raise children as mothers, therefore came to signify not only resistance to a dominant social order of family imposed by slave owners, but also its imposition on French Caribbean territories during the aftermath of slavery. [. . .]
[Le mariage burlesque of the Plastic System Band carnival group in Lamentin, Martinique, 2012. Provided by Charlotte Hammond.]
For full article, see https://theconversation.com/le-mariage-burlesque-carnival-cross-dressing-in-the-french-caribbean-111560 [Accessed via Contemporary Art in Caribbean.]