Marshelle Haseley Reviews Di-Andre Caprice Davis


In Trinidad and Tobago’s Newsday, Marshelle Haseley reviews the work of Jamaican artist Di-Andre Caprice Davis (“Artist: Don’t be afraid to be different”). Last month, the Kingston-based artist recently exhibited the interactive installation Not Your Kind of Artist: Part 1Influences at Alice Yard (80 Roberts Street, Woodbrook, Port of Spain, Trinidad). Here are excerpts:

Jamaican experimental artist Di-Andre Caprice Davis says creating work with the power to educate and inform is important, especially for young people.

The self-described artist said, “I try to create work that grabs the attention, which is where my work includes a lot of features of cognitive psychology – capturing the mental process of creating work.” The Kingston-based artist recently had an interactive installation at Alice Yard, 80 Roberts Street, Woodbrook. Entitled Not Your Kind of Artist: Part 1Influences, it included the collaborative creative energy of art lovers who visited the installation between October 25 and 27.

Davis explained, “I would like to utilise the framework of this title to shed some light on what are often misunderstandings which occur when the viewer becomes more engaged with the artist’s personality and lifestyle – and less with interpretations and experiences possibly generated from the artwork itself.”

She described her conceptual work as an educational interactive installation, which focuses on her personal influences such as cognitive psychology, mathematics, information technology, science and sound, or music.

“I pay close attention to language use, memory and how people think. Which also embodies concepts of problem-solving, and anything related to the development of a person and his or her mental health.”

This was part one of a four-part series “which reflects the things that inspire me to create work,” she explained.

Abstraction, computer graphics, GIF art, glitch art, photography, surrealism and videography are also included in her practice.

Art is evolving and continues to move away from what is generally considered traditional fine art, and Davis believes the need to label and categorise the artist can result in potentially negative stereotypes that may hinder the creative process.

She said she was happy to gain the involvement of youth, among them students from Queen’s Royal College and Holy Name Convent, with whom she enjoyed interacting most, “talking to them about their own development.” She said much of the work was said to be thought-provoking art, due to the heavy influence of mathematics, and the amount of thought required by those who attended and participated. The uncommon approach to art and the consumption of art was welcomed by attendees. [. . .]

Davis attributes her open-minded approach to art to the artistic environment within which she was raised: her home was “a space where you could be anything you wanted to be.” She also said the support of her family, who embraced her changes and innate traits, helped her to develop as a confident artist. [. . .]

For full review, see

Also see

[Photo above: Horacio Hospedales participates in the formation of part of Davis’ installation. His word was AIR converted to decimal. Participants were allowed to choose and use the numbers in any way they chose.]

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s