The 24th African Diaspora International Film Festival (ADIFF), running until 11 December, celebrates Guadeloupe in collaboration with the The Guadeloupe Islands Tourist Board and the French Cultural Services with the screening of two films: ADIFF 2016 Centerpiece Le Gang des Antillais/Gang of the French Caribbean by Jean-Claude Barny and The Black Mozart in Cuba by Stephanie James.
Le Gang des Antillais/Gang of the French Caribbean is the story of four men from Guadeloupe and Martinique who, once in Paris, form a gang and hold up post office buildings. The film takes place in the 1960s, a moment when French people from overseas departments were brought to France through the Bumidom to do the jobs that white French metropolitans did not want to do.
The Black Mozart in Cuba, the other title in the Celebrating Guadeloupe Programme, is a historical documentary about Joseph Boulogne who was born in 1745 and died in 1799. He led a remarkable life and was known as the Chevalier de Saint Georges. He was a slave descendant man born in Guadeloupe who later became a noble and participated in the French Revolution. He was colonel of the Legion St. George, the first all-black regimen in Europe during the French Revolution.
Set in Haiti and the Dominican Republic is Death by a Thousand Cuts by Jake Kheel and Juan Mejia Botero, a powerful documentary that takes the viewer to the ongoing conflict at the Haitian-Dominican border. This time, the incident is a fatal encounter between a Dominican park ranger and a group of Haitian men involved an illicit charcoal exploitation in the area. The incident is just the tip of the iceberg of turbulence at the border dividing both countries.
Also from the Dominican Republic is Nana/Nanny a portrait of those Dominican women who leave their children back home to take care of the children of rich families in the United States. A touching film that gives a face to an important segment of the working poor.
Cuba is now a hot topic again. More and more Americans are visiting after years of very limited contact. In Ghost Town to Havana filmmakers Eugene Corr and Roberto Chile spent five years in ball fields in inner city Oakland and Havana. Ghost Town to Havana is a film that very well describes the difference that marks both countries when the education of children is at stake. There will be a Q&A with Eugene Corr after the screening.
Afro-Cuban director Gloria Rolando is a very prolific filmmaker. Her work has been showcased in ADIFF multiple times. In Dialogue with My Grandmother, the Afro-Cuban filmmaker offers this time a historic piece that speaks about her grandmother and a chapter in the lives of Afro-Cuban people in the early part of the 20th century as experienced by her grandmother and her ancestors.
Source: Shadow and Act