Carnival, Calypso and Steel Pan: A Bibliographic Guide to Popular Music of the English-speaking Caribbean and its Diaspora

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FORTHCOMING TITLE ON MUSIC OF THE ENGLISH-SPEAKING CARIBBEAN TO COME FROM AFRICAN DIASPORA PRESS

Carnival, Calypso and Steel Pan: A Bibliographic Guide to Popular Music of the English-speaking Caribbean and its Diaspora / by John Gray
(Black Music Reference Series; v. 6) (xv, 479 p., cloth). ISBN: 9780984413454

A companion to the author’s earlier volume Jamaican Popular Music, this landmark new work helps fill a major gap in the reference literature. For the first time ever it offers students and researchers an in-depth guide to the large body of materials available on masquerade and popular music traditions of the English-speaking Caribbean. Comprised of some 3400 annotated entries it documents a literature, both popular and scholarly, that now spans more than 85 years and ranges across disciplines as diverse as social and cultural history, anthropology, ethnomusicology, literature and economics.

The book’s main focus is on three tightly intertwined topics—Carnival, calypso and steel pan—and how each has evolved, both inside of Trinidad, their most important hub, and abroad in the large West Indian enclaves of New York, London and Toronto. The Carnival side of this trinity, a critical showcase for the region’s music and dance, is treated comprehensively. This includes an unprecedented level of detail on each of the four major Caribbean Carnivals—Trinidad Carnival, Brooklyn’s Labor Day Carnival, London’s Notting Hill Carnival, and Toronto’s Caribana—as well as important precursors such as Harlem’s West Indian Day Parades of the 1940s and ’50s and the early London Carnivals organized by Claudia Jones. Carnival’s musical aspects, both calypso and steel pan, are also covered in depth. In the case of calypso that encompasses all of its various forms, from its antecedents in kalinda stick-fight events to the “jump and wave” soca of today. A multitude of contemporary offshoots, e.g., binghi, chutney soca, ragga soca, ringbang, and gospelypso, are also documented in full. Numerous other sources help illuminate calypso’s central role as a vehicle for social and political commentary and its perspective on issues as diverse as immigration, race and gender relations, and national identity. Steel pan, calypso’s cousin, is discussed from the music’s introduction on the regional and international scene in the 1950s to its more recent role in the music programs of North America and Great Britain. An extensive Biographical and Critical Studies section documents the contributions made to these traditions by almost 600 individual performers and ensembles.

Citations span from 1852 to 2012, with the bulk having been published between the 1930s and 2012. They encompass musical and cultural analyses, ethnographies, oral histories, popular histories and reportage along with a wealth of archival, audio-visual, and electronic resources. The book concludes with a substantial reference section that includes a list of Sources Consulted, a guide to relevant Libraries and Archives, two appendices, and separate Author and Subject Indexes.

The author is independent scholar John Gray whose previous music-related titles include Blacks in Classical Music; African Music; Fire Music; From Vodou to Zouk; Jamaican Popular Music; Afro-Cuban Music; Baila!; andAfro-Brazilian Music.

Release date: March 30, 2015.

To pre-order please visit the ADP website: www.african-diaspora-press.com.

Also Available:

From Vodou to Zouk: a bibliographic guide to music of the French-speaking Caribbean and its diaspora (v. 1)

Jamaican Popular Music, from Mento to Dancehall Reggae (v. 2)

Afro-Cuban Music: a bibliographic guide (v. 3)

Baila! A bibliographic guide to Afro-Latin dance musics, from Mambo to Salsa (v. 4)

Afro-Brazilian Music: a bibliographic guide (v. 5)

Praise for the Black Music Reference Series:

Afro-Brazilian Music

“A monumental new book on a particularly complex subject…Highly recommended.”—Choice

Baila!

Winner of the 2015 Vincent H. Duckles Award for ‘best book-length bibliography or other research tool’ from the Music Library Association.

“Best Reference of 2013.”—Library Journal

“…a landmark work that belongs in all music libraries and Latin American and Caribbean collections.”—Choice

“A critical compendium for Afro-Latin researchers and enthusiasts.”—Library Journal

Afro-Cuban Music

“Not only is Afro-Cuban Music an essential handbook for anyone researching or merely enjoying Afro-Cuban music; it is a testament to the traditional hard-copy bibliographic guide in an era where paper resources are increasingly eclipsed by digital ones.”—Latin American Music Review

“…an impressive accomplishment that will prove an invaluable resource for researchers.”
—Robin Moore, University of Texas at Austin

From Vodou to Zouk

“…will prove an indispensable, in-hand reference to current French Caribbean music scholarship.”—Library Journal

“…represents a major update of available bibliographical guides…exceedingly pleasurable to recommend…”—Notes (Music Library Association)

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