Peter Orsi writes about the recent reopening, after extensive renovations, of the Capri Hotel, known for its polished, art-deco granite floors with bronze inlays, and copper-colored lobby chandeliers:
In its heyday, Havana’s Capri hotel and casino was the playground of men known as The Blade and The Fat Butcher. It was also a pleasure garden for headline stars who portrayed Mafiosi on the silver screen: George Raft, known for hoodlum roles such as Guino Rinaldo in 1932’s “Scarface,” was the casino’s celebrity “greeter” and made his home in the 19th-floor penthouse.
Havana’s hedonistic mob-and-movie-star days came to an end with Fidel Castro’s 1959 revolution, and the hotel drifted into a long, slow decline. But now the Capri is back in business after being closed more than a decade ago. Its rebirth is part of Cuba’s latest bid to trade on its colorful pre-Communist past and attract tourist dollars to fund its socialist present.
[. . .] Indeed, details such as the Capri’s polished, art-deco granite floors with their flowery bronze inlays fit right into a city that still teems with finned Chevrolet and Cadillac classics. So do the graceful copper-colored lobby chandeliers, which like the floors are restored originals. The newly refurbished Capri reopened around New Year’s as a partnership between state-run tourism company Grupo Caribe, which owns the hotel, and Spanish hotel chain NH Hoteles SA, which is responsible for administration.
Built in late 1957, the Capri enjoyed a brief but madcap run as one of the flashiest mob joints of the time. Charles Tourine (The Blade,) managed the nightclub, while Nicholas di Costanzo (The Fat Butcher) ran the casino. The two were lesser-known henchmen associated with more notorious bosses like Meyer Lansky and Santo Trafficante. Gangsters rubbed elbows with some of Hollywood’s leading lights here. Swashbuckling actor and renowned playboy Errol Flynn frequented the Salon Rojo club where scantily clad cabaret dancers shimmied for tourists.
The handsome public face of it all was Raft, who grew up around gangsters and maintained personal ties to a number of capos. T.J. English’s “Havana Nocturne,” a history of the mob in Havana, recounts Raft’s memories of the night when Cuban strongman Fulgencio Batista fled the country ahead of the inexorable advance of Castro’s bearded rebels. New Year’s Eve merrymaking was coming to an end and Raft had just retired to the penthouse, where a young woman recently crowned Miss Cuba was waiting.
“There she was, asleep in my bed, but I noticed how she opened one eye when I came in the room. Now she’s half awake and amorous. ‘Feliz ano nuevo,’ I said as I got between my silk sheets, alongside this fantastic girl,” Raft later said, according to “Havana Nocturne.” “In the middle of this beautiful scene — suddenly — machine-gun fire!”
Hurrying downstairs, Raft pleaded for calm with revolutionary-minded Cubans who were ransacking the hotel, English writes. Finally a young woman recognized the movie star and persuaded the others to listen. They ended up doing a little “lightweight looting,” then left.
“So while the shooting and all that continued in the streets, the Capri was saved, at least for the moment,” said Raft, who died in 1980.