The daughter of Cuban President Raul Castro, widely seen as a champion of gay rights in Cuba, is expected to bring her brand of outspoken advocacy before a New York audience on Tuesday, CNN reports.

Mariela Castro Espin, who is her country’s director of the National Center for Sex Education and is the niece of Fidel Castro, is on a multiday visit to the United States. She is scheduled to address gay rights activists and others at the New York Public Library on Tuesday evening.

Last week, Castro kicked off her tour by attending meetings in San Francisco on issues such as transgender health care, a topic that she has advocated for in Cuba.

“The current developments in (lesbian, gay, bisexual and transgender) rights in Cuba are remarkable given the discrimination suffered by gays, lesbians and transgender people in Cuba in the 20th century, as well as comparison with current LGBT movements in the U.S. and abroad,” the New York Public Library said in a statement.

At the start of Fidel Castro’s revolution, gays and transsexuals were locked up or sent to labor camps, while even a decade ago they were regularly harassed by police.

But Cuba began making sex-change operations available in recent years, providing the surgery to a handful of individuals. The financing and the medical specialists, at least in part, come from Belgium, which has a longstanding partnership with Cuban medicine.

Mariela Castro, who helped launch a nationwide campaign to battle homophobia in a country often know for it’s machismo, is expected to join Rea Carey, executive director of the National Gay and Lesbian Task Force, in discussing gay rights and HIV/AIDS prevention and treatment.

She is among several Cuban scholars granted U.S. visas to attend the events, spawning controversy particularly among Cuban American hardliners critical of the Castro regime.

Earlier this year, Mariela Castro and others said they hoped a two-day government meeting in January, which was closed to the press and brought together 811 delegates to discuss changes to the island’s Communist party, would take up the issue of legalizing same-sex civil unions in Cuba.

President Raul Castro, however, had cautioned against “illusions” and high hopes over what the party conference would suggest to the country’s parliament.

In New York, lawmakers last year legalized same-sex marriage after Gov. Andrew Cuomo, a first-term Democrat governor, lobbied opposition and undecided state senators to secure the lone vote needed for the bill’s passage.

President Barack Obama announced his support of same-sex marriage, a change in his position, in early May.

For the original report go to http://www.cnn.com/2012/05/29/us/new-york-mariela-castro/index.html

Posted by: lisaparavisini | May 29, 2012

Who wrote the Book of Rock? No. 3, Bob Marley

Reggae legend’s infectious sound and spirit catapulted him from Jamaica to the world stage, where he influenced musicians of all stripes. As Bernard Perusse reports in this article for Montreal’s Gazette, Marley helped expand the vocabulary of North American music, paving the way for hybrids of rock and global rhythms.

In this 10-part series, the Gazette pay tribute to the rock ’n’ roll-era visionaries who came up with the musical vocabulary we’re still hearing today – the ones without whom the language of rock ’n’ roll would not sound the same.

If one man made rock musicians start to see beyond the American blues and country-based framework from which their music evolved, and if a single figure began the process of expanding their vocabulary past even the European influences that marked post-Beatles art rock, it was surely Bob Marley.

If we now fully expect hybrids that mix rock with Third World rhythms, and if we have come to think of popular music’s language as something global, we owe Marley a debt of gratitude.

The Jamaican superstar was not necessarily the first to reach any specific destination. Records that can now be called reggae had been waxed before the Wailers first walked into Studio One in 1963. Desmond Dekker brought Jamaican rhythm to the crucial American market with Israelites, a Top 10 hit five years before Eric Clapton’s cover of I Shot the Sheriff first had mainstream rock fans in North America asking “Who is this Marley guy?” Nor was Marley a trailblazer for socially-conscious lyrics, which helped define his work.

He was, however, a rock-style star whose stature on the global stage was unprecedented for a Third World artist. And in the years since his death in 1981 at 36, it has only grown. The 1984 compilation Legend is the best-selling reggae album of all time, having found its way into 25 million homes around the world. The collection has been on the Billboard charts almost constantly since it was released. In 1999, Time Magazine ranked Exodus (1977) as the best album of the 20th century. Marley’s name recognition – at least when considered on a worldwide scale – rivals that of just about any rock ’n’ roll legend.

Marley’s music did not come out of a vacuum. He and fellow founding Wailers Peter Tosh and Bunny Wailer were heavily transformed by American R&B, soul and doo-wop records by the likes of the Drifters, Frankie Lymon and the Impressions. That much is evident in their early 1960s sides for Studio One and their seminal – some would argue their finest – recordings in the early 1970s, some self-produced and some helmed by the wildly inventive Lee “Scratch” Perry.

The Island albums that start with Catch a Fire in 1973 are Marley’s most commonly-cited oeuvre. This is where reggae’s stirring beat, its strong pulse and its cries for social justice and global unity, often inspired by the Rastafari faith, begin to blast from stereo systems in the bedrooms of American youngsters. (Inexplicably, white kids jumped in with both feet, while Marley had difficulty getting black youth to follow suit – a situation that persisted into the last years of his career.)

Marley’s ability to bring reggae’s message and sound to a large audience struck a particularly important chord with disenfranchised punks in the U.K., who drew inspiration from the newly-discovered beat and its social commentary to revitalize rock ’n’ roll in the late 1970s, just when it was in need of a transfusion.

If the rest of us now also take that distinctive beat as a given in our musical vocabulary, it’s a gift from Bob Marley.

For the original report go to http://www.montrealgazette.com/entertainment/wrote+Book+Rock+Marley/6687735/story.html

The Dominican Republic’s organic and Fairtrade boom has helped banana growers but what about the slum-dwelling Haitian migrant workers? Tom Levitt reports on the plight of the forgotten people in the banana trade in this article for The Ecologist.

Like many young Dominicans, Federico left for the US when he finished school to look for work, ending up in a Spanish store in New York. After 20 years working seven days a week he grew tired of the long hours and yearned for his homeland and the tropical climate of the Caribbean.
He had heard about the booming banana trade with the export market growing fast, a cheap and plentiful workforce, and land and water in abundance. It seemed like an ideal opportunity, with money to be made for entrepreneurs willing to set up a plantation. Today he is half way towards his dream, 35 hectares of indigenous forest have been cleared with half already planted with banana trees. The other half will be up and running later this year, together with a new building to wash and pack the harvested bananas.
Not far away Jan Luis Moneta is still waiting for his dream: a work visa. He migrated from Haiti, one of the poorest countries in the world, when he was 14 years old. After 30 years working on banana plantations he is still classed as an illegal worker. With his daily wage he cannot afford to live in anything more than a corrugated iron hut, with no water, toilet facilities or electricity.


Jan Luis is just one of many thousands of ‘invisible’ Haitian migrants working in the banana sector, where they make up an estimated 90 per cent of the total workforce [the government says the figure is 66 per cent]. Union activists told the Ecologist that 90-95 per cent of them are working in the country illegally.
Although their stories are wildly different, both Federico and Jan Luis have together helped fuel the Dominican Republic’s banana boom. The country is the UK’s biggest supplier in value terms, with more than half of all their bananas exported to our shores. The majority of these are Fairtrade and/or organic. Despite the economic downturn, overall Fairtrade sales in the UK grew by 12 per cent in 2011.
But by buying organic and Fairtrade bananas, are consumers in the UK helping to improve conditions for workers and the environment on the ground? And is the switch to organic and Fairtrade providing a template for other banana-producing countries to replicate?

A favourite at breakfast and in packed lunches, the banana’s unrivalled popularity has seen major supermarkets such as Tesco and Asda vying to offer the best deal. Between 2002 and 2008, a price war between major supermarkets saw the price of bananas plummet by up to 41 per cent.The price cuts are almost invariably kicked off by walmart (owner of Asda in the UK) and have continued to this day. At one point in 2009, German discounter Aldi led others down to the UK’s lowest price ever, at 37p per kilo, one third the price at the beginning of the decade.

A decision by Sainsburys and Waitrose to only source Fairtrade bananas from 2007 seemed to signal a change or at least a part change. In 2012 the Co-op followed suit. These decisions have contributed to creating a £150 million Fairtrade banana market, accounting for one in every three bananas sold.
The Dominican Republic has been one the main beneficiaries of this boom. Its Fairtrade and organic banana industry has been growing rapidly over the past decade with an estimated 60 per cent of banana production certified organic and a quarter certified Fairtrade.
The principles of organic farming insist on fairness to all workers, while Fairtrade standards are meant to ensure fair payments to banana plantation owners and their workers, with the additional Fairtrade premium being spent on projects to help small producers and plantation workers.
While the health problems normally associated with banana plantations and daily contact with toxic pesticides and fungacides were not apparent in the Dominican Republic, the industry the Ecologist saw in the country was still one reliant on a migrant workforce paid poverty wages, living in slums and with no legal status. What’s more, in an effort to tackle criticism of its treatment of illegal workers, the Dominican Republic government is now planning to force many of these migrants underpinning the banana industry to leave the country.
The organic and Fairtrade boom
The seeds of an organic, and latterly, Fairtrade industry in the Dominican Republic were sown in the 1980s when private foundations from Germany encouraged organic cocoa production. Producers later switched to bananas. Growing consumer demand, together with technical support from multinational marketing companies, helped the banana sector grow considerably from the 1990s onwards.
The organic farms we visited had managed to replace often dangerous chemicals used to protect banana trees with a natural pesticide, a mixture of garlic and rotting vegetables. But the prevalence of black sigatoka (or ‘leaf streak’), the fungal disease that wreaks havoc in banana growing countries across the world, is becoming a major problem, with farms regularly reporting losses of up to 30 per cent of their crop. The disease attacks the tree and can cut fruit production by half.
A particularly devastating outbreak in late 2011 wiped out an estimated 40 per cent of production in the main banana growing region. For smaller producers in particular, the growing prevalence of diseases like black sigatoka make it a struggle to meet the low and non-chemical requirement in Fairtrade and organic standards. Larger conventional and organic farms in the country can afford to operate aerial spraying every 20 to 30 days to protect their crops.
Federico runs an organic plantation in the north-west of the Dominican Republic in the province of Monte Cristi. Like many organic farms he hopes to get Fairtrade certification soon too. Along with the neighbouring province of Valverde, this is the heart of the banana-growing industry in the country. One government official we spoke to estimated 90 per cent of employment here is related to bananas.
On his farm, Federico is proud of his chemical-free plantation, even as it expands onto more former forested land. The irony is that forested land can be converted straight into organic production whereas former conventional agricultural land would have to go through a two-year conversion period to remove traces of chemicals in the soils.
He uses a mixture of roots and chicken manure to fertilise the plants, which means he loses out on the unnaturally large bananas of conventional farms. ‘My smaller bananas are much healthier and stronger’, says Federico. Like all other plantations, every bunch of bananas is protected by a plastic bag, although in his case dipped in a mixture of hot pepper, garlic and soap rather than chemicals.
The use of plastic bags in particular is one of the most wasteful parts of banana production. On both conventional and organic farms, they are used to protect the bananas from over-exposure to the sun and thrown out after three months. Disposal of the bags is badly regulated and local roads and rivers throughout the banana growing regions are strewn with plastic waste, white bags from organic plantations and blue chemical coated bags from the conventional ones.
Ironically, if it wasn’t for the colour coded plastic bags covering the bunches of bananas, it would be impossible to spot the difference between the organic and conventional farms. They often lie just metres apart (sometimes even on the same farm) and look identical in terms of layout, stretching for tens of acres with no attempt at mixed cropping or diversity to encourage natural wildlife. The monoculture landscape is little different to the oil palm plantations of south-east Asia which have devastated the once biodiversity-rich tropical rainforests of countries like Malaysia and Indonesia.
‘This region has lost its biodiversity,’ says Fasto Pena, director of Naturaleza, a local environmental group. ‘It’s equally bad on organic and conventional farms. Plantation owners need to look after the natural environment better so it is still there for us in the future.’
The forgotten banana workers
There is also a less visible side to banana production. As with the majority of banana growing countries, a key component of the growth in the Dominican Republic has been a cheap migrant workforce. When the Haiti earthquake struck in 2010, thousands fled across the border, ending up in the north-west banana-growing states. However, the supply of migrant workers has actually been constant for the past 20 to 30 years. But a better life is unlikely to be found on a banana plantation.
Lying hidden off a main road, around 1,000 Haitian migrants live crowded together in a community of corrugated iron shacks. Most of them are young and male, some have families but no-one has water, toilets or electricity. Some of them have jobs. Some don’t. Of the ones that do, nearly all work on banana plantations, including some for a well-known organic plantation.
Most of the workers get 250 to 300 pesos a day when they work (about £4). ‘It is barely enough to eat,’ a group of young men tell us. ‘It allows us one meal a day of beans and rice but is not enough to rent a house or look after a family.’
Nearby, off a main road near the town of Mao in Valverde, in another community of mainly wooden huts, live around 130 Haitian migrants. One of them, a 34-year-old Haitian Sabin James, told us he works on an organic plantation and after 15 years in the country is still trying to get legal status. Even though he gets paid 300 pesos, Sabin can’t afford to buy a US$225 (8,800 pesos) passport that would give him access to social security. His company offers help to apply for one but won’t help him pay for it. ‘They say they are helping us but they know it’s no help at all,’ says Sabin.

‘The companies don’t want to know about workers or bother themselves with how much they earn, where they live or what they eat,’ says Padre Regino Martinez, co-founder of Asomilin.

His organisation has been helping migrants get passports at a reduced cost of US$140 and overcoming their fears of being deported if they try and apply.
Padre says Dominican workers don’t get paid more but were given fixed contracts and the opportunity for promotion to higher paid positions, which Haitians never occupied, leaving them trapped in poverty.
‘They don’t have enough to cover the costs of living. And have no way of getting a higher salary to rent a home or buy a visa or passport. No power to negotiate with plantation owners. There are plenty of workers who need a job, so they are all too scared to stand up to employers,’ says Padre.
Another migrant, Emmantel Audige was one of a number of workers we met living near the Haitian border and is employed on a Fairtrade certified banana plantation. He told us that he and other migrants had signed a contract for eight hours a day but actually worked six am to five pm without rest or overtime and for wages of no more than the average 250 pesos reported by non-Fairtrade workers. He said he had been in the country for 11 years but was still an illegal worker, with no rights to social security. All migrants can use state hospitals but we were told care was very poor, with long waiting times.
According to the Fairtrade Foundation the premium consumers pay for Fairtrade bananas has been used to help migrants get passports and working visas, however, Emmantel says he has no idea what the premium gets spent on. He and other migrants would like to have access to a healthcare centre to deal with work injuries and for use by their families. After one year workers should also get 14 days paid holiday but Emmantel says he gets none.
Even migrants like Jean Baptiste who has been working in the country in the banana sector for over 30 years – currently six days a week for an organic and Fairtrade certified plantation – are still forced to live in the community of wooden huts with no electricity, water or toilet facilities. Jan gets 280 pesos a day but says a fair wage would be 500 pesos (£8), something that would allow him to continue to live comfortably in the wooden huts with fellow migrants, but not enough to rent a home with water and electricity.
Back on his organic farm, Federico, who hopes to be certified Fairtrade, admits that some of his workers are illegal migrants with no work permits. He uses around 40 workers on day-to-day contracts, although he is not sure about where they live or their living conditions. He says his farm does not have enough money yet to help workers get visas or passports.
The Fairtrade Foundation in the UK acknowledges that migrant workers in Dominican Republic’s banana industry need help in getting better housing, access to healthcare and legal status. It says many of the small-scale producers are often disadvantaged themselves and it takes time for them to assume more responsibility for the living conditions of migrant workers.
Trade union groups in the Dominican Republic say Fairtrade standards do not do enough to help migrant workers. ‘There is no doubt that they are improving international trade but it isn’t helping migrant workers to earn a fair salary,’ says Luciano Robles, from the Trade Union Autonomous Federation (CASC). ‘International standards need to be adapted to local situations.’
Supermarket price wars
The Fairtrade Foundation says calls for using the Fairtrade premium to subsidise migrant workers’ wages may undermine the responsibility of farm owners and employers to tackle the ‘living wage’ issue. It points the blame, in part, at the continual use of bananas in price wars between supermarkets, saying it has devalued the fruit in the eyes of the consumer and left producers with low returns, even in the Fairtrade sector, which has to remain competitive against conventional alternatives. Although the minimum price for Fairtrade bananas has risen slightly in the past two years, the price wars make it harder than ever to improve the conditions of slum-dwelling Haitian migrants.
Campaigners are hoping the new supermarket watchdog, the Groceries Code Adjudicator, will help stop supermarkets pressurising their suppliers. ‘Supermarkets are the most powerful actors along supply chains and make vast profits however the unsustainably low prices they pay to suppliers can leave the workers who plant, harvest and pack our food in poverty,’ says Banana Link campaigner Anna Cooper.
While campaigners fight for a better standard of living for banana workers, there are fears many of the illegal Haitian migrants could soon be expelled. Tough new rules, which union groups say are politically motivated, state that at least 80 per cent of a firm’s employees must be Dominican – a figure at odds with the reality of the migrant-dominated banana industry. Government officials told the Ecologist this was to ‘regularise’ the workforce and ensure Haitians were legal citizens in the country. But it puts the plight of thousands of other illegal migrants in peril.
‘Until now the Dominican Republic government has allowed the existence of illegal Haitian workers, knowing the extreme difficulties they face in their own country and which can be partly solved by work here,’ says Marike de Pena, from Banelino, a well-known Fairtrade producer group that sells bananas to many UK supermarkets.
She admits some of their small-scale producers may be using illegal workers but says the group wants more Haitian migrants to be able to stay in the country and get better wages and legal status. To that end, the Fairtrade Foundation, together with banana producers, have been lobbying the government to resolve the issue.
For now though, the difficulties for many migrants persist. ‘The network of migration, exploitation and violation of rights is mutually beneficial for Haiti and Dominican Republic. There is even money to be made on the border from trafficking people. The institutions issuing visas, the Dominican economy and the banana industry getting cheap labour. Everyone benefits,’ union organiser Luciano Robles told the Ecologist.

For the original report go to http://www.theecologist.org/News/news_analysis/1392832/behind_the_label_how_fair_are_organic_and_fairtrade_bananas.html

Talking, listening, laughing, heckling, dancing, drinking, Wales’ Hay Festival kicks off on Thursday, and runs until 10 June. Now in its 25th year, Hay is to books what Glastonbury is to music: starting from humble origins, it has become the biggest festival of its kind. Anyone from Jimmy Carter to Nigella Lawson can be expected to turn up, as bigwigs from the worlds of literature, politics, and history descend on the Welsh borders to plug their books. As at Glasto, it usually rains.

Founded in 1988 by local man Peter Florence, the festival is now a literary mega-brand. Its name is exported to 15 other sites around the world, including the Maldives, Mexico, and India. Some say it has got a bit too big: Barclays Bank sponsors a venue called “The Wealth Tent”. Others point out that Hay has always aimed high: the founding sponsor was The Sunday Times. The festival now attracts an estimated 100,000 visitors, while the town’s population hovers at 1,900.

In 2005, the festival got so big it moved to a site outside the town. Since 2002, it had been sponsored by The Guardian, though they lost the crown in 2011, when they were outbid by The Daily Telegraph. Last year, The Independent sponsored a small rival festival in the town, “How the Light Gets In”, which was more in keeping with the kitchen-table feel of the early days.

The format remains unchanged: people talk, others listen; some laugh, others sleep; some joke, others heckle; then everyone goes to the bar. Swanky parties are held in big houses. The hottest ticket is on Sunday night, when film-maker Revel Guest throws a bash sponsored by GQ and Range Rover at her beautiful riverside pile, Cabalva. After drinks on the terrace and dinner in a marquee, luminaries take to the dance floor. Philosopher A C Grayling is a nifty groover.

Hay was a book town long before the festival, thanks to Richard Booth, the self-proclaimed “King of Hay”. Until recently, he lived in the semi-derelict castle at the top of the hill. He opened the town’s first second-hand bookshop in 1961, with the aim of creating the largest antiquarian book centre in the world. There are currently about 30 bookshops in the town, though that’s down from a high of about 40. The internet is partly to blame.

Van Morrison played a five-and-a-half hour gig in 1999. Throughout, he was heckled by the late Christopher Hitchens, who demanded he play “Cyprus Avenue”, from the album Astral Weeks. Morrison said he would sing a request for anyone who could identify a certain quote. It was by Oscar Wilde – and Hitchens got it right.

Countless spats and feuds have played out at Hay, though there have been reconciliations too. The most significant came last year, when Paul Theroux and V S Naipaul finally kissed and made up after a 15-year stand-off. It started after Theroux, a travel writer, discovered a book he had given to Naipaul, inscribed “with love”, was up for sale for £1,000. Theroux hit back by writing a damning memoir of their friendship. Then, Naipaul called Theroux’s work “tourist books for the lower classes”. The novelist Ian McEwen bravely brought them together in the Green Room.

The Poet Laureate, Carol Ann Duffy, has spoken at Hay every year since the start. Highlights this year include novelist Hilary Mantel, baritone Bryn Terfel, and ex-Catatonia singer Cerys Matthews.

For the original report go to http://www.independent.co.uk/arts-entertainment/books/features/the-balggers-guide-to-the-hay-festival-7791203.html

Posted by: lisaparavisini | May 29, 2012

The cross-culturisation of reggae

THE historic Liberty Hall (founded by Marcus Garvey) in downtown Kingston, was last Thursday the venue for a panel discussion on the global impact of reggae music—Basil Walters reports for Jamaica’s Observer.

Inspired by Noël Dernesch and Moritz Springer’s feature documentary Journey to Jah, the forum was held under the theme, ‘Cultural Cross-Currents: European and Jamaican Artistes, Escaping Roots or Extending Consciousness.’

Three artistes — two Europeans, one Jamaican — featured in an engaging discussion guided by Professor of Literary and Cultural Studies at the University of West Indies (Mona), Carolyn Cooper.

Alborosie from Italy, Gentleman from Germany and Jamaican Terry Lynn (not to be confused with Terry Linen) were the participants.

The symposium focused on how Alborosie and Gentleman journeyed to Jamaica to experience the country’s culture, and how the Waterhouse-born Terry Lynn, is influenced by European techno music.

Gentleman was born Tilmann Otto in Osnabrück, Germany. His second album, Journey to Jah, was produced by Dean Fraser. He said roots-reggae was his introduction to Jamaican music.

“I never planned to be a reggae singer. I just do it, I don’t know why. I never asked myself that question. I see myself as a vessel and I am just following my inner voice,” said Gentleman.

The son of a Lutheran pastor, Gentleman recalled the first reggae record he heard was Dennis Brown’s Wolf and Lepoards, played by his older brother.

He has been travelling to Jamaica regularly since he was 16-years-old.

Tilmann Otto came to Jamaica from the city of Cologne looking for the records his big brother played in Germany and left with the hip sound of dancehall. He kept his roots attitude, which is still a big part of his music.

Alberto D’Ascola, better known as Alborosie, was raised in Sicily, but has resided in Jamaica for over 15 years.

“To me reggae is Jamaica, that’s why I am here for such a long time,” declared Alborosie in his best patois.

Alborosie started his career with the Italian reggae band National Tickets as a 15-year-old in 1993. He moved to Jamaica in 2001 to get closer to roots music and Rastafari.

“This is not about song, it’s about spirituality. My show is not (just) a show, is a function. Reggae is not just music business, it’s my life. Reggae is my mission,” Alborosie testfied.

Originally a dancehall artiste, Terry Lynn said her switch to electronic music came from a yearning to do something different. She was critical of a popular dancehall trait — recording multiple artistes on the same rhythm.

“Reggae coming through the bloodline from Marcus Garvey, Miss Lou. Mi born and grow up into the music. From Nyahbinghi, Kumina, Revival, going to church, the rhythm lives inside of me,” Lynn noted.

“But we as a people don’t cherish it enough. I am tired of the barbarisation to a beat,” she added. “Having 10 artistes pon one beat, I was like, ‘why should I be doing this’?”

She inquired about different sounds and genres, settling with the electro beat which has a massive following in Europe.

Her 2008 album, Kingstonlogic, had some critics comparing Terry Lynn to Tamil singer M.I.A.

For the original report go to http://www.jamaicaobserver.com/entertainment/The-cross-culturisation-of-reggae_11556971#ixzz1wDvrFPMi

Posted by: lisaparavisini | May 29, 2012

Mariela Castro and the Future

Oh, oh! The gloves are off. Mariela Castro has been all over the news while in the United States and I don’t think Yoani likes it. So here she goes after Mariela . . .  

She carries a name that evokes encampments, and I am just a Sanchez, dragging the “ez” ending that once meant to be “the son of” some Sancho. Yes, like that chubby guy on the donkey who accompanied and satirized Quixote, although I weigh many pounds less and have never galloped, not even on a pony. She grew up in some beautiful comfortable place, while I spent my childhood in a noisy and violent tenement. She is a sexologist and psychologist, and I taste the pleasures of love and negotiate life’s obstacles although I never graduated from any course in the subject. She is the daughter of the man who inherited the presidency of my country through blood, that same country where my father years ago lost his profession as a train engineer. She is tethered to every word he says, and I broke out of the prison of opinion long ago, freeing myself with the word.

She is afraid of the embrace, of a Cuba where we can both walk freely, attend a concert or public debate without problems, leave the country and reenter it without asking permission. I understand her. She carries on her shoulders an ancestry that perhaps many times she would have liked to shake off, deny, erase from her life. I am just the upstart, the intruder, without pedigree, without a worthy family tree to show off. My parents didn’t fight in the Sierra Maestra, the slogans that were forged inside her house were regularly rejected in mine, the speeches delivered by her exalted uncle fell on the skeptical ears of my clan. She is entitled to the microphones, appears on national television to be interviewed and praised, while my face is only seen surrounded by adjectives such as “enemy,” “cyber terrorist,” without offering me — of course — the right to respond.

She has been making her tour of the United States and the Cuban news has not labeled her a mercenary for it. She has said, “I would vote for Obama,” and — surprise! — the national press does not accuse her of being “pro Yankee.” She is a prisoner of her lineage and I barely have a past to look at, right now I just wake up thinking about tomorrow. She and I, although it scares her and she denies it, are part of this country… very different daughters of this land, the fruits beloved and not beloved of the process. She will have to recognize that I exist, I am, that this Sanchez demands her right to criticize the follies of its windmills.

Yoani’s blog, Generation Y, can be read here in English translation.
Translating Cuba is a compilation blog with Yoani and other Cuban bloggers in English.
Yoani’s new book in English, Havana Real, can be ordered here.

For the original report go to http://www.huffingtonpost.com/yoani-sanchez/mariela-castro_b_1550722.html

Posted by: lisaparavisini | May 29, 2012

‘Baudelaire in a Box’

Dave Buchen unfurls a roll of newsprint containing the words “Le Mort Joyeux” (“The Happy Dead”), “L’Albatross” (“the Albatross”), the names of poems by 19th century French poet Charles Baudelaire. For each poem, Buchen has drawn illustrations suggested by the images in the poem, as Cliff Bellamy reports in this article for the Herald Sun.
On a recent afternoon, Buchen also is preparing to build a stage set on which he will mount several scrolls that he will crank during a performance of the poems. Buchen will operate these “crankies” as local musiciancantastorias New Town Drunks, Curtis Eller, Jkutchma and Dexter Romweber sing original songs they have written to Baudelaire’s poetry.
This collaboration will be the fifth installment of “Baudelaire in a Box,” which Buchen will perform with the musicians today at the ArtsCenter in Carrboro and Saturday at The Pinhook in Durham. Other performances have occurred in Chicago; Madison, Wis.; San Juan, Puerto Rico; and New York City.
The goal of “Baudelaire in a Box” is to perform all 126 poems in Baudelaire’s cycle of poems “Les Fleurs du Mal” (“Flowers of Evil”) by 2017, which will be the 150th anniversary of the death of Baudelaire (1821-1867). All the musicians who have performed and written songs for the project will meet in Chicago in 2017 to perform all the poems in a festival.
Buchen’s scrolls are modern versions of cantastoria, an Italian word that means “picture story recitation.” The art form began in 6th century India before traveling to Asia and later Europe.
The home base for this project is Theater Oobleck of Chicago, of which Buchen is a founding member. He first performed cantastoria when he moved to Puerto Rico, and found that he did not feel confident enough in his language skills to write a play in Spanish. To get around the language barrier, he began performing cantastoria, and did an adaptation of Pliny the Elder’s “Natural History.”
He later discovered the poetry of Baudelaire. “I stumbled upon him. I was in Chicago in the public library and decided to check him out,” Buchen said. As he read the poem, he said he was struck by Baudelaire’s imagery, and its musical quality. One particular poem suggested waltz rhythm, he said.
Buchen performed some of Baudelaire’s wine poems from the cycle in Puerto Rico, where he met Roberto Cofresi, guitarist in New Town Drunks, who asked Buchen if he wanted to perform the poems in the Triangle. From there, Cofresi began organizing the shows, and Buchen had high praise for his organizational skills. “He organized this great show with four different bands,” Buchen said.
New Town Drunks will perform six poems, and the other artists will perform two poems each. A printed program will include the poems to allow the audience to follow along. This set of concerts represents the first time Buchen has worked with bands. “This is the first rock ‘n’ roll show. Up until now it has been a guy with a guitar,” he said. The musicians were given complete freedom to interpret the poems. “I just told the musicians, whatever moves you, to take the poem you want and set it to music,” he said.
In addition to his poetry, Baudelaire was an essayist and art critic who also translated Edgar Allan Poe’s works into French. Baudelaire’s prose-poetry style influenced poets Paul Verlaine, Arthur Rimbaud and Stephane Mallarmé.
Buchen got to hear New Town Drunks’ arrangements earlier this week during a concert at The Cave in Chapel Hill, and was excited by their inclusion of accordion and trombone. The ArtsCenter show will be a first run through the show, the first meeting of the bands and Buchen’s cantastoria. “I cede control to them,” Buchen said of the musicians. “It’s their vision. The illustration is all in my little world. The music is in their world, and they all meet.”
_______________________________________
Go and Do
WHAT: Baudelaire in a Box, with Dave Buchen collaborating with New Town Drunks, Curtis Eller, Jkutchma, and Dexter Romweber
WHEN and WHERE: May 25, 8:30 p.m., The ArtsCenter, 300-G E. Main St., Carrboro; and May 26, 9 p.m., The Pinhook, 117 W. Main St., Durham
ADMISSION: Tickets are $12 to ArtsCenter show, $10 to Pinhook. For tickets, visit www.artscenterlive.org or thepinhook.com.
ALSO: The program will be presented Sunday at The Pour House, 224 S. Blount St., Raleigh. For information, call 919-821-1120.

For the original report go to http://www.heraldsun.com/view/full_story/18719621/article-%E2%80%98Baudelaire-in-a-Box%E2%80%99

Posted by: lisaparavisini | May 29, 2012

Small island states seek to end dependence on imported oil

Many small island nations that depend on imported fossil fuels plan to diversify into renewable energy to free up much-needed resources to help them adapt to climate change, reduce poverty and develop sustainably—as Linda Hutchinson-Jafar writes in this article for trust.org.

The world’s 39 Small Island Developing States (SIDS) from Africa, the Caribbean, the Indian Ocean and the Pacific met this month in Barbados to work on improving their energy efficiency and developing clean power sources for transport and electricity generation, including hydro, solar, wind, biomass and coconut oil.

The aim is to wean themselves off costly imported fuels like oil. Tonga and Tokelau plan to become fully energy independent this year; Tuvalu and the Cook Islands by 2020. Others also are following the trend.

“The small island developing states are writing the stories of their future,” said Veerle Vandeweerd, director of the environment and energy group at the U.N. Development Programme.

“They point towards a time when respiratory illness from cooking over smoky stoves is no longer a primary cause of death for the women and children of poor households; where girls can go to school instead of collecting firewood; and where students have light to study through the night for exams if they so choose.”

Some small island states – described as the most petroleum-dependent countries in the world – could free up to 30 percent of gross domestic product (GDP) by switching to hydro, solar, geothermal or other renewable energy sources, according to a background paper prepared for the conference.

The money now spent on importing fuel could be used to boost jobs, healthcare and education, or invested in new farming practices to keep yields up amid climate shifts or initiatives to cope with rising sea levels.

Oil typically accounts for 95 percent of commercial energy use in the Pacific islands. Oil imports cost up to 29 percent of GDP in the Cook Islands, 15 percent in Tonga, and 9 percent in Samoa.

Michelle Gyles-McDonnough, UNDP’s resident representative in Barbados, warned that rising oil prices could lead to economic and social instability in energy-importing SIDS.

“Phasing out fossil fuel subsidies, building local renewable energy sectors, investing in green jobs and strengthening social safety nets for people whose livelihoods depend on imported energy is critical for gaining energy independence and poverty eradication,” she told the conference.

20 STATES MAKE PLEDGES

The “Barbados Declaration” adopted at the end of the gathering – hosted by the Barbados government, UNDP and the Organisation of Eastern Caribbean States – called for universal access to modern and affordable renewable energy services while protecting the environment, ending poverty and creating new opportunities for economic growth.

It also included an annex with voluntary commitments by 20 SIDS to move towards providing universal access to energy, switching to renewable power sources and reducing reliance on fossil fuels.

Host country Barbados announced a plan to increase renewable energy to 29 percent of all electricity consumption by 2029, while the Maldives said it aimed to make its energy sector carbon neutral by 2020.

The Marshall Islands wants to electrify all urban households and 95 percent of rural outer atoll households by 2015. Mauritius committed to boosting renewable energy – including solar, wind, hydro, bagasse (sugarcane fibre) and landfill gas – to 35 percent or more of its supply by 2025, and the Seychelles set a target of 15 percent for the same by 2030.

Barbados Prime Minister Freundel Stuart lamented that high oil prices have damaged the Caribbean region’s fragile economies.

“For example, Barbados spent $393,538 million last year on oil imports, or 6 percent of GDP, which has impacted negatively on … the overall competitiveness of the Barbadian economy,” he said.

FUNDING SOUGHT

The tourist island of St. Lucia may be one of the hardest hit by rising fuel prices, as it imports 100 percent of the fuel required to meet its energy needs.

“Naturally for a small country like ours, the oil import bill is very high and we have to contend with fluctuation and prices which have a huge impact on our revenues,” Energy Minister James Fletcher told AlertNet Climate.

The St. Lucian government is now exploring options in geo-thermal, wind and solar, with the goal of importing less fuel – but says it needs financial help to make the switch.

“We want to have a mix of renewable projects and become energy-efficient, but we also want to get much-needed funding to help us bring these projects to reality,” Fletcher added.

While Belize already generates nearly two thirds of its electricity from hydropower and biomass, the Central American nation’s energy minister, Joy Grant, said the government wants to do more to reduce fossil-fuel imports.

She suggested that stand-alone solar and wind projects could help solve the problem of limited access to electricity in rural areas. “But renewable projects have high capital costs so we will be looking for external funding,” she added.

Some countries are already putting in place policies and fiscal incentives to encourage investment in clean energy. The Cook Islands, for example, has removed import duty and tax on solar water heaters, which have become standard in most new housing and commercial buildings.

The National Development Bank of Palau has pioneered energy loan packages, and Samoa has established a Clean Energy Fund to finance renewable energy systems.

Meanwhile, the Pacific island states set up a sustainable energy industries association in 2010, which provides technical guidelines on how to switch to clean energy alternatives.

Trinidadian civil engineering student Nadir Mohammed said he welcomed efforts by island governments to diversify their energy mix and move away from imported fossil fuels.

“The technology for different renewable projects is already available, but we also know it is an expensive venture and not many of these SIDS can afford to fund these,” he said. “I think once the funding can be sorted out, our small countries can then begin to have a mix of traditional and renewable energy.”

For the original report go to http://www.trust.org/alertnet/news/small-island-states-seek-to-end-dependence-on-imported-oil

Countries from around the world convened in Montreal for the 16th meeting of the scientific and yechnical body that advises the United Nations Convention on Biological Diversity (CBD)—formally known as the Subsidiary Body on Scientific, Technical and Technological Advice (SBSTTA). Island conservation and partners launched a global campaign, Small Islands, Big Difference, at a side event held on May 1st, 2012 during the SBSTTA-16 meeting. The campaign is intended to prevent the extinction of vulnerable native species and support human livelihoods on islands by removing invasive alien vertebrates.
More than fifty participants from around the world attended the event, which was opened by Dr. Braulio Ferreira de Souza Dias, Executive Secretary of the CBD—a long-time leader in invasive alien species issues both in Brazil and South America. Executive Secretary Dias said, “Islands constitute a subset of the world that deserves special attention.” Bill Waldman, Executive Director of Island Conservation, welcomed the audience and invited their active participation. Seychelle’s Ambassador for Climate Change and Small Island Developing States, Ronald Jumeau, also spoke at the event, expressing
his support for the campaign and describing achievements to address invasive alien species in his own country and in the region of the Western Indian Ocean.
Small Islands, Big Difference will continue to develop in preparation for the CBD’s 11th Conference of Parties to be held in Hyderabad, India in October 2012. There Island Conservation will join with the Global Island Partnership (GLISPA) and world leaders to promote the campaign and empower on-the-ground solutions through an Island Summit.
For more information and to learn how to become involved in the Small Islands, Big Difference campaign, contact Olivier Langrand, Director of Global Affairs, Island Conservation, at Olivier.Langrand@islandconservation.org
A meeting summary, fact sheets, posters, and other documents from the SBSTTA–16 meeting are available at
http://www.islandconservation.org/tools/?id=68
www.islandconservation.org

www.twitter.com/noextinctions
www.facebook.com/preventingextinctions

Posted by: lisaparavisini | May 28, 2012

Bahamas International Film Festival poster winner unveiled

Theo McClain has been flying under the radar in the world of Bahamian art, but with his poster design for the 2012 Bahamas International Film Festival, he’s set to become a household name – locally and abroad – for artists and film buffs alike, Sonia Farmer reports in this article for Nassau’s Guardian. His design was one of many submitted to BIFF’s poster design contest announced earlier this year.

After careful consideration by judges Dionne Benjamin-Smith, Lise Anderson and Logan and Lavar Munroe, McClain’s “Junkanoo Blower” came out on top for capturing the thrilling spirit of the BIFF for visitors and locals alike. “When it was announced I screamed here at work,” says McClain. “I was very excited, I got chills. It’s the first local competition I have won.”

“I think the image I did basically set a new standard for imagery for poster design in The Bahamas alone separate from the Film Festival,” he continues. “It’s fresh on the eyes and full of color and embodies Bahamian culture. It isn’t as complex as it looks, it’s simple like how we live.” The piece, says the artist, is taken from a photograph he took during Junkanoo. Besides being an accomplished illustrator, McClain is also skilled in photography, being the recipient of the Silver Quill award from The International Association of Business communications in 2010 and 2011 for his photography and design work on the 2010 and 2011 Colina Insurance Annual Report and 2011 Calendar, “The Art of Charity”, which raised more than $8,000 for local charities.

“When I shoot, I try to freeze the image to where I still get that emotion from when I was there physically,” he said. “So it kind of is like film, but a still image that evokes movement and is still vibrant. It’s like when you hold a conch shell to your ear and you can hear the sea.” Indeed those examining his image can almost hear the call of the conch shell, the call of Bahamian culture and soul. The image melds the vibrancy of Junkanoo parades with the thrill of cinema, expanding the Bahamian cultural landscape.

As Leslie Vanderpool, founder and executive director of BIFF, points out, opening the poster design competition to Bahamian artists only this year is a testament to the festival’s continued support of local artists. “I am thrilled to announce the winner of the 2012 Bahamas International Film Festival (BIFF) Poster Competition,” said Vanderpool. “The decision was a difficult one as the talent was so great! The collaborative process is something BIFF is proud to provide, whether it is by showcasing films or providing a platform for other visual artists.”

McClain’s design will be seen far beyond our shores, becoming this year’s “face” of the annual festival and giving him – and Bahamian visual art and design – some welcome exposure.

“The exciting part about it is the fact that I’m getting my name out there,” he said. “A lot of people don’t really know who I am because I’ve never had a show. After winning the competition I’ve gained a lot of recognition and business, so before the film festival I’d like to follow up on it with a show.”

“My mother, from since I was in high school and seeing I was gifted in arts, said she wanted me to be famous,” he added. “I told her it would happen in its own time. I’ve never sought out fame, but it’s just through the steps I’ve taken that I’m driving towards it. But I just want people to really like my work for what it is.”

Pushed by his mother and mentored by local artist Kim Smith, McClain pursued visual art, majoring in illustration at Savannah College of Art and Design in Savannah, Georgia. Now a senior designer at his own local marketing agency Sidda Communications, has completed work for Islands of the World Fashion Showcase, the Cancer Society of The Bahamas, and Bahamas Junior Achievement. Now, McClain sets his sights on a gallery show.

“I’m not one to put myself out there, I’m still breaking out of my shell,” he admitted. “When Leslie posted my design on Facebook and I saw those positive comments, it gave me a boost of confidence to show my work to the public and inspired me.”

The Bahamas International Film Festival is a nonprofit organization dedicated to providing the local community and international visitors with a diverse presentation of films from around the world. In addition to offering films that might not otherwise be released theatrically in The Bahamas, BIFF will provide a unique cultural experience, educational programs, and forums for exploring the future of cinema.

For more information please visit www.bintlfilmfest.com

For the original report go to http://www.thenassauguardian.com/index.php?option=com_content&view=article&id=31248&Itemid=59[5/26/2012

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